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    • ZERO, 2024
    • L·A·P·S·E, 2022
    • AERO HOVERJET, 2022
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    • RUPERT’S PRIVATE OFFICE, 2021
    • DECENNIUM SERIES, 2020
    • INCOHERENT DIALOGUE, 2020
  • BODY
    • GOOEY GEAR, 2023
    • LANDSCAPE WITH FOX AND HUMANOID, 2022
    • THE RISE OF HUMANOID, 2022
    • ABS SCELETALOS SERIES (WT)
    • NEAR FUTURE MYTHOLOGY SOUVERNIR SERIES
  • TECHNOLOGY
    • DATENPROTOKOLL_DISCO, 2023
    • DATENPROTOKOLL, 2022
    • SONOVISAGE, 2020
    • WeSA 2020:19
    • (MISS) UNDERSTOOD, 2017
    • FACE DE-PERCEPTION, 2017
  • DATA
    • AMORPHOUS OBSCURA PART1: ECLIPSED SPECTRA, 2023
    • DATA MONOLITH, 2022
    • ONE AND THREE FACES, 2022
    • DATA MONUMENT, 2022
    • DATAFIED HUMAN COLLECTION, 2021
    • DATA CABINET, 2020
    • DATA CIRCULATION SYSTEM, 2020
    • DATA, POLAROIDS, 2012~
  • STRUCTURE
    • Perfect Contraption Concept Scenario: The Automated System for Mobility & City Operation through a Transparent OLED Screen, 2022
    • Proto-Image for the Contraption (Neon Orange & Chrome Silver), 2022
    • JJ BOYS CLUB
    • VIRTUAL CHRONOTOPE, 2022
  • EXHIBITION
    • SOLO EXHIBITION
      • THE AMBIENT GUST, 2024
      • Réalité Simulée 리얼리티 시뮬레이션
      • 장진승 개인전 <올리곱티콘> JINSEUNG JANG SOLO EXHIBITION OLIGOPTICON
    • GROUP EXHIBITION
      • Behind a Mask: 양가적 데이터 수집과 활용의 공조 가능성 Cooperation possibility of ambivalent data collection and utilisation
      • <사적인 노래 i> private song i
  • TEXT
  • Curriculum vitae

AMORPHOUS OBSCURA PART1: ECLIPSED SPECTRA, 2023

Single Channel Video, Colour, Sound(Stereo), 07’00”
싱글 채널 비디오, 컬러, 사운드(스테레오),  7분

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