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      • Behind a Mask: 양가적 데이터 수집과 활용의 공조 가능성 Cooperation possibility of ambivalent data collection and utilisation
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      • <사적인 노래 i> private song i
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  • HOME
  • NEAR FUTURE
    • L·A·P·S·E, 2022
    • AERO HOVERJET, 2022
    • DELUDED REALITY, 2021
    • RUPERT’S PRIVATE OFFICE, 2021
    • DECENNIUM SERIES, 2020
    • INCOHERENT DIALOGUE, 2020
  • BODY
    • GOOEY GEAR, 2023
    • LANDSCAPE WITH FOX AND HUMANOID, 2022
    • THE RISE OF HUMANOID, 2022
    • ABS SCELETALOS SERIES (WT)
      • Réalité Simulée 리얼리티 시뮬레이션
    • NEAR FUTURE MYTHOLOGY SOUVERNIR SERIES
  • TECHNOLOGY
    • DATENPROTOKOLL, 2022
    • SONOVISAGE, 2020
    • WeSA 2020:19
    • (MISS) UNDERSTOOD, 2017
    • FACE DE-PERCEPTION, 2017
      • Behind a Mask: 양가적 데이터 수집과 활용의 공조 가능성 Cooperation possibility of ambivalent data collection and utilisation
  • DATA
    • DATA MONOLITH, 2022
    • ONE AND THREE FACES, 2022
    • DATA MONUMENT, 2022
    • DATAFIED HUMAN COLLECTION, 2021
    • DATA CABINET, 2020
      • <사적인 노래 i> private song i
    • DATA CIRCULATION SYSTEM, 2020
      • 장진승 개인전 <올리곱티콘> JINSEUNG JANG SOLO EXHIBITION OLIGOPTICON
    • DATA, POLAROIDS, 2012~
  • STRUCTURE
    • Perfect Contraption Concept Scenario: The Automated System for Mobility & City Operation through a Transparent OLED Screen, 2022
    • Proto-Image for the Contraption (Neon Orange & Chrome Silver), 2022
    • JJ BOYS CLUB
    • VIRTUAL CHRONOTOPE, 2022
  • TEXT
  • Curriculum vitae

DATENPROTOKOLL, 2022

2채널 비디오, 컬러, 사운드, 15분 26초
2 channel video, colour, sound, 15′ 26″

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